#long post boo

[michelle-jacksons-art-blog]

Mis papis

[majunju]

[right to left] hypnosis

[insertsomthinawesome]

[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;

-NO ROMANCE INCLUDED-

[heartorbit]

THE CUTESITS

[dorkynerd23]

Reblog If You Love And You're A Fan Of Poppy Playtime + Smiling Critters! 💙🩷💜❤️💛

[amekinoko]

ENORMOUS fucking dump of bg3 drawings i've done over the past month or so. featuring:

My Tav, Ryn (the half-elf with the shaggy hair. Durge warlock)

@oughtnots Tav, Tenacity (the ourple tiefling with the facial scarring. currently durge paladin)

@isaakthesnail Tav, Tallis (the halfling with the tattoos over one eye. sage bard)

also markazador szarrkiplier is in there too. as a jumpscare for you <3

[hongtonie]

SEUNGKWAN God of Music 231103

[sonocomics]

Here's a commission highlight! Today is a tonal comic commissions for @ace-angelprincess !

tfw you try to let someone else have the spotlight only for the game to say No

As of posting this my commissions are still open! If you'd like a slot, check out this post for more details!

[oneshotgremlin]

First impressions on Fake Peppino Friday (aka how Pep and Fep first met in my interp):

(Context: Back in the earlier versions of pizza tower, the tunnel chase was a lot harder, and there’s this one drop that immediately goes into an overhang. When I say that I tried SO many times to grab slide through it but because of how little space there was I just KEPT GRABBING AT THE WALL OH MY GOD

Anyways, I like to keep my failures in my interpretation. Adds a je ne sais quoi to some of the character dynamics [judgement and concern])

No because this is actually so funny if you think about. Imagine being in Fake Peppino's shoes, right?

You're alone in in your restaurant. Waiting. Anticipating. And then you hear it. Footsteps.

You turn around and you see...You. You, but not. The You you've been watching on static riddled TV screens. The You you've heard your pizza-headed creator curse out so much, yet fail to measure up to.

It's the You you should've been.

You scream and you scream with him. "He can't get past you. Don't let him get to staff only." It's the one task your creator drilled into your head, above pizza making.

You attack.

And you can't keep up with him as you fight. Even in person, giving everything you've got, even getting some hits in, you still fail to compare to him.

But when the floor beneath both of you breaks, and he speeds away running for his life, he crashes into an overhang in the tunnel you've fallen in.

As he panickedly scrabbles against the dark stone, you finally catch up to him and. Bite. Down.

The world goes black. Then you're standing back in your restaurant. You aren't entirely surprised, nothing truly stays dead or destroyed in this tower. From the levels to the pillars to even the people, they all come back one way or another.

You hear footsteps. You turn around.

It's You.

...[TWO HOURS LATER]...

Oh Cheesus Crust it's You again.

You don't know how many times he's gone through your boss room, and at this point you're too afraid to keep count.

He doesn't even scream after walking in anymore. Neither do you. You're unspeakably worried for this man's sanity, assuming that it exists in the first place (you're less and less sure it does with every reattempt he makes).

You're not actually sure if he's even trying to get past you at this point. If anything he's decided to have a blood feud with one particular overhang in the tunnel and is somehow sorely losing.

Again.

At this point, you're pretty confident you know every single Italian and American swear in the global lexicon, along with some new ones that were invented within the last two hours alone.

As you once again catch up to him, you don't even bother biting him. Clearly getting repeatedly crushed into pulp is not the deterrent it is for every single other creature in this tower. You scruff his shirt with your teeth and carry him out and he just lets you like he did for the past hour or so. Soon enough he'll be back re-doing the same song and dance you've done for 2 hours straight before racing off to fistfight The Wall.

You don't know what this man's malfunction is but maybe you should be a little grateful that you aren't entirely like him after all.

(Bonus doodle for the peeps that read through it all):

[drawnfamiliarfaces]

INTERRUPTED (Parts I & II)

A short two-part comic (total of 20 pages + 8 extras) by me! (for me lol)

Fandoms: Ninja Showdown (Randy Cunningham 9th Grade Ninja x Xiaolin Showdown)

Ship: My Immortal Soul (First Ninja x Chase Young)

A comic where nothing really happens! But it contains a lot of half-naked men. So like, kids avert your eyes and adults don’t open it at work or whatever. ¯\_( ͡° ͜ʖ ͡°)_/¯

thanks for checking it out <3

[wellnoe]

This is aperture au: an AU made up by Will (@boo-cool-robot, who did most of the plot and writing) and me (visuals) where Magneto takes a teen Scott in before Xavier, and Scott’s subsequent radicalization causes him to undergo a schism with x-men leader/lover jean after he eventually joins the team. Because if you really love characters, you just want them to have an ideological divorce! 

The au is named after the code-name scott is given by magneto, which he returns to after the events of this comic (Aperture–like an opening for light to pass through, a focus in a lens.) 

[Image description: Full color comic. Whole comic has a layout where each page has 3 columns. Jean is in the left column, and scott is in the right.

Page 1

Panel 1: Scott and Jean explore a grim, industrial, apparently abandoned basement lab. Jean inspects a peeled back vent cover. Scott bends down to open a filing cabinet drawer. Jean: "This is too clean to have been opened by a crowbar. Almost looks like how I would have used my TK a few years ago."

2: Scott leans back, back of his fist to his mouth in shock. He says: "Marvel Girl, you need to see this. Use my eyes. Please."

3: Jean turns, using her telepathy to look at the file Scott has found. Her telepathic eyes see what he sees. There is a Polaroid of young Scott and Alex. Alex smiles at the camera, while Scott holds his brother and glances away. Alex's file describes him as 'Yearly tag and release'.

The other page in the file has a letterhead reading “Home for Foundlings” and a logo depicting an abstract parent and child, forming a red diamond shape. Cut-off text reads, “Summers, Scott/Seong-Mi/S-...Impaired expressive speech and sound sensitivity worsened after 3 days of social ostracism from peers…electroconvulsion. Energy generation potential unaffected. Continued social impairment, likely auti…”

Scott has already turned toward a door, frowning. 

4: Jean puts a comforting hand on Scott’s shoulder while he turns away from her. Scott (Telepathically): "I used to remember having a brother. He told me I was just confused, that I’d imagined him." Jean (Telepathically): "Who told you that?"  Scott reaches to open the door. Scott (Out loud): "I don’t know, it was all…"

5: Scott, quietly: "Sinister."

They have stepped through into the next room, where Mister Sinister’s silhouette looms in the foreground, breaking the barriers between the three columns. Jean puts her arm out in front of Scott to shield him. Scott has shrunk in on himself. 

Page 2:

Panel 1: Scott has his arms crossed. Jean, glowing with telepathy, puts a hand next to Mister Sinister’s head where he lies between scott and jean. Jean: "He can’t hear us. He’s in some kind of psionic trance. His body is here, but his mind is on the Astral Plane."

2: Scott: "So he’s vulnerable." Jean is startled: " What?" Scott: "We could end him here. Before he gets to-- anyone else. Before he gets to Alex again." 

3: Jean’s telepathy flares, she is confused, but stubborn. Jean: "We’re X-Men, we can’t just kill someone defenseless. We won’t get anything out of him if he’s dead." Scott faces her, angry and disbelieving. Scott: "You really think if you [Telepathically: implicate, integrate] ask him, he’ll say anything that those files out there don’t?"

A figure approaches through the open doorway, obscured by Jean and Scott’s world bubbles.

4: Jean’s telepathy flare is the strongest yet. She is hurt, beseeching. she says: "The Professor taught us to give people chances. He gave you a chance when you joined the team." Scott is quietly angry. Scott: "Maybe if he were smarter, he wouldn’t have. You wouldn’t–..." Jean:  "Are you saying you shouldn’t be here with me?" 

 The figure gets closer, raising a board to her shoulder. 

5: The figure is revealed to be madelyne pryor, wearing the marvel girl dress, as she swings a board at Sinister’s head. She hits him with a “KRAK”. Telepathy flares out from Sinister’s form and from the panel as he’s hit. Jean and Scott watch her, Jean’s mouth open in shock, her telepathic eyes watching from Scott's eyes as well, while Scott looks untethered.

Page 3: Mads is in the middle column.

Panel 1: Jean and Scott reach their hands out towards Mads. Mads has her hands up in front of her. They are all frozen in place. Scott [Telepathically]: "Who is she?"

Mads [TP]:  "I can hear them."

Jean [TP]: "She looks like me." Mads [TP]: "I was supposed to be her."

Scott [TP]: "She killed him. That could have been Jean." Jean [TP]: "Scott thinks it should have been me." 

2: Mads flees past Scott, who is still frozen. Jean turns as Mads runs, half reaching out toward her. Mads [TP]:  "I can’t be her. I can’t be here." The thoughts become disjointed, unattached from the people who are thinking them, hanging in the air of the room.

3: Scott runs after Mads. The unattached thoughts begin to fill the space between him and Jean: "I can’t be her, That could have been me, I can’t be here". Jean watches Scott, frozen in place, and starts to cry. Telepathic energy comes off her in waves. Scott [TP]: "That could have been Jean."

"I can't be here" repeats until it goes through the bottom of the panel and into the next panel. 

4: Jean is still frozen, crying. Her hands are pressed to her head as she is crowded by the telepathic thought bubbles surrounding her. She gets stuck on bubbles repeating over and over:

"I can’t be here, I can’t be here, I can’t be here."

Page 4:

Panel 1: Jean is still surrounded by thought bubbles. She reaches into the middle pane and tears a black rip through it, telepathically and with her hands. Her head and hands flare with telepathy. The edges of the rip burn like fire. She is still crying, angry. 

2: Thought bubbles disappear. Jean’s head is snapped back by the force of telepathic feedback. The black rip spreads wider, telepathic flame at edges, continuous with the previous panel.Scott, chasing Mads outside the lab, trips forward. Both Jean and Scott are losing control of their bodies, falling.

3: Jean and Scott both fall to the ground, unconscious, as the rip in the page spreads wider. 

4:  Black/end id]

[el-ffej]

THESE TWO (do crimes, have fun):

Comedy Gold.

[98boo]

(241018) seungkwan – love, money, fame 💖

[vowofbrotherhood]

feeling butterflies

[aroaceleovaldez]

Part 2 response to this ask / [this post]:

For recent books, I think that it's less of a consideration of the audience and more a reflection of the general state of the publishing world currently. Disney as a company (which owns the publishing house through which Rick's works are published) is also in a weird spot right now and that is probably also lending itself heavily to why recent franchise stuff is the way it is:

A.) The franchise is basically guaranteed free money. Disney does this a lot with their properties. Star Wars and Marvel are great examples. They don't need to make something good, they just need to make literally anything and because it's such a massive franchise it'll sell regardless.

B.) One of their main focuses right now is clearly that JKR is in a bad spot and if they can fully dethrone Harry Potter as The de-facto middle grade fantasy series (cause PJO is fully number 2) that's going to be really good for them. Because it basically guarantees that PJO will be even MORE free money. That's probably part of why we got the show when we did, because HP was trying to move forward with an HP show. (And the HP show was probably announced when it was to directly try to compete with PJO) (Also don't forget, Disney also owns the PJO movies now. They don't need to do better than the movies because they're competing with themselves. In fact, by constantly pitting the show against the movies, they're basically doubling advertising for themselves by drawing attention to both.)

B.5.) Another thing is that if they dethrone HP, that's gonna not only hurt Universal, but SEVERELY hurt Universal PARKS, which is the Disney Parks' number one competitor. And the Disney parks are also in a tight spot right now and they REALLY want breathing room. (You might have heard that the Disney parks are doing a TON of cuts and reshuffling right now.) They don't need to actively put PJO stuff in their parks (yet), because just by taking out HP they'd massively injure what is basically the number one draw to the Universal parks (which is probably also why the Universal parks is expanding right now, particularly in similar avenues to how the Disney parks are expanding, re: more fantasy-focused areas and an emphasis on animated/Dreamworks franchises - Universal needs to be able to continue competing with Disney in the absence of HP, and it seems like they're panicking a little bit - so they're leaning more on their Dreamworks properties as Dreamworks becomes a significant competitor to Disney re: animation and otherwise just copying Disney's homework and also making more fantasy-focused park areas right now) and thus Disney would totally kneecap their primary competitor. That would increase draw to their own parks in the absence of a significant competitor and also then if they add literally any PJO stuff to the parks (which would be INCREDIBLY easy just due to the nature of PJO - especially as they cycle out older and less profitable IPs from the parks) then they'd basically IMMEDIATELY get a massive draw from what used to be the HP crowds - because a lot of those casual crowds do not particularly care about HP itself. It's entirely just that HP is the number one mainstream middle grade fantasy series. If PJO takes that spot then they'll just go to wherever PJO stuff is, because they're a passive audience, not an active audience (though Disney is also VERY much known for it's active audience and being partially responsible for making fandom as a concept mainstream and directly advertising to that market - tying back to the first post, lmao).

C.) Disney is DESPERATELY trying to save their streaming service. That's why it's so emphasized that PJO TV is a Disney+ series. Disney is kind of in hot water with investors because streaming services all across the board are tanking and Disney+ is a big one that's going down. That's why they're pivoting so much towards streaming and throwing literally whatever Marvel and Star Wars at it, because they know those are massive franchises that practically support themselves and any kind of draw to the platform is good. PJO is part of that - it's a massive well-established mainstream franchise with a passionate audience. It's practically a default classroom choice for assigned reading and that's free advertising/publicity. They know they can make a mediocre PJO adaptation and throw it on Disney+ and it will have a draw and that's all they need. They just want more eyes on the platform period to try and prove that it's profitable. Not to mention how we just explicitly know the CoTG trilogy only exists as marketing for the show. The recent books are not meant to be a continuation of the story. The actual content within them is literally irrelevant. CoTG trilogy only needs to exist so that it can bring more attention to the show (which is why it's being grouped in with the first series, because search engine optimization). TSATS only needed to exist to get people to stop being mad at Rick/get distracted from his little PR disaster.

Disney has also been doing a lot of cost cutting with their media recently, particularly also relying on their own brand to make new stuff profitable because they're actively looking for cheap solutions instead of making new things. They don't do 2D animation anymore because 2D animation is more expensive because it's unionized. 3D animation has also since become unionized and yknow what they're doing now? Shifting to live action. Shifting to CGI, which is only starting to become unionized because it's newer. They're making one billion live action remakes of existing properties because those properties are profitable and a live action remake is cheap. They don't need to worry about making it good because press is press and they know it will sell regardless. They can cast some popular actors for some default attention and leave it at that (Hi LMM cameo). Even with their newer animated movies - Wish was entirely reliant on the fact that it was heavily drawn from other Disney properties and they used that as an active selling point. Meanwhile they're intentionally tanking other new projects (see: Strange World) because they want to be able to turn around and say projects like that aren't profitable and aren't worth making. (This isn't a conspiracy theory btw, they do intentionally flop certain movies. This is a regular thing Disney does and they've been doing it for a while.) This type of cost-cutting strategy is very clear with the PJO show - they have this absolutely massive budget that isn't reflected in the end project at all. It's extremely clear to anyone with anyone with eyes that they're majorly cutting corners all the time (blatantly avoiding even slightly more complex CGI cause that'd cost money, CGI that is shown is often extremely cheap looking or rushed, reusing assets for Olympus, speeding through certain scenes, very little done with costuming - ever notice how all the costuming in the show looks way too new? The costuming department is supposed to weather even just basic outfits to make them look worn-in and they don't seem to have done that. - poor lighting to obscure details because actually making it look good costs more, etc etc) and the show is poorly produced. They have the money to do it properly. Someone is pocketing that. Usually it's executives. This is not unusual behavior! I would not be surprised at all to hear if it was the case with PJO TV too!

Tl;dr: I don't think the quality of recent books going down is because they expect the books to have a shorter pop culture lifespan, i think it's just a combo of the current publishing industry overall dropping in quality and Disney being Disney and not caring beyond saving their own butts and making a quick buck.

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏